FUTURES IN FILM CIC · PINEWOOD STUDIOS

Technology decides what gets made, and who gets to make it.

Futures in Film runs working film units at the Ken Adam Building, Pinewood: new kit is tested, new crew are trained, and working crew come back to learn. The margin pays for the people the industry has not reached.

WHAT PAYS FOR IT

A product goes through a real shooting day.

A manufacturer gets its kit in the hands of heads of department and of people meeting it for the first time, on a working unit with a call sheet and consequences. What that earns funds training places. Nobody has to donate for either half to work.

An empty black-walled room with a bare floor, used for testing kit
THE TEST ROOM

Where the kit is benched.

A room in the Ken Adam Building where cameras, stabilisation systems, drones and AI tools are taken apart, run, and put in front of a unit.

A camera operator with a gimbal rig briefing a small group on a coffee shop location
TRAINING

Taught by people on units now.

Courses on a working production package, each one labelled whether we run it or somebody else does. No CV, showreel or qualification needed to apply.

A unit filming on a residential street, the camera on a dolly behind a large bounce board
THE PACKAGE

Hire the package.

A Panavision Millennium XL2, Cooke S4 primes, lighting, grip and a 30ft crane, quoted in writing. The margin is asset-locked and funds places.

THE ASSET LOCK

The margin cannot be taken out.

Futures in Film CIC is an asset-locked community interest company, number 14621615. Profit from testing, hire, teaching and commissioned film is committed to community benefit and reported to Companies House each year.